ArtNif collage: 2020

Mavreality

it is time perhaps to ask ourselves how quickly did she manage to overcome
the immediate reality and enter a virtual world
what link is there between anna klos and mavreality with its little
mavrealities where the actual ends and the imaginary begins to stir
we can imagine the term „collage” is coming from here: a free imagination
is stuck over (or glued to or pressed against) an outdated reality
it's quite possible that anna klos has the force-motivation-opportunity
restoring to the collage the status it deserves (touch wood)
otherwise i must admit that her attention has surprised me so although i
have long been used to remain myself having another persons there living
for me and over me in the castles of mavreality i decided to participate in
her brilliant exhibitions with an open heart

first and second out of consideration for the polish nervous avant-garde
my happy youth owes much to this space starting with the strangeness
known as witkiewicz and continuing with gombrowicz or kantor
today (like mr tadeusz once) i feel disturbed by the permanent
institutionalization of the avant-garde
but unlike him i have learned to amuse me speaking of the playful
look promoted with insistence (some would call it insolence) by what they
call avant-garde

thirdly and so on some see a childhood illness in the avant-garde which
comes and passes like measles or mumps or chickenpox
when according to my mavrealities this is actually a disease of creative
maturity a desperate expression of novelty
and in the end a state of matter equal in dignity to any other
as for the collage this would be a wholly low deduction of the
„great art” or a harmless passtime a second-hand art when it's not
just a waste of time
on the inconvenience of similar jokes at this very moment please
think of it this way:
the mavrealities do not work with the elements but with the fragments
my collages use the fragment as for instance literatures use the
word (words and fragments can be sometimes metaphors in the same way)
i've arrived at the collage after long experiences some experiences
that included pottery, scenography, paintings, mail art, theater,
happenings, graphics, video art (in connection with sculpture, music
or architecture), film, photography etc.
well you can miss in any technique depending on who's making it
that is why picasso did not invent the collage because the collage existed
long ago and he only ennobled it
picasso, braque, etc. with a prodigious intuition of great artists just caught
a glimpse into the true nature of this interdisciplinary technique
a mavreality is good because it is percussive and substantial insofar as it
relates to let's say the fate of man on earth
in the same manner a work is not bad because of the technique in which it is
performed but because it is merely bad
and it is bad because doesn't say anything no matter how hard you try
it's simple you know what they say „easy as pie” even though simple things
are often quite complicated

About me

Bucharest/Fine Art Institute”N.Grigorescu,” Romania, an audiovisual artist,photographer

and director

The first leaders of the postavangarde group Cerculdisparut/Vanishedcircle with Ivan Andreevici

exhibition/videoart/videotheater/performance/work shop/happening/masks/papiermache/writings

/ceramics/multimedia ermetic music show/scenography

/touring-art/puppets a.s.o. initiating and carrying on local or international underground anticurrents:

Deviationism /Joyfullnism /Presentaphonism or new suprematism /Ebbart /Perifairycalart /Voluntart/ Simulationism /Neodeviationism a.s.o.

The group’s initial activities are cultural journalism, performances, translations, national and international exhibitions (i. e. Triennial in Berlin, Romania Is Greeting Europe, Ceramica d’Arte Gualdo Tadino).

Later on cerculdisparut goes on to undertaking wide scope multimedia shows, a.s.o.

Permanent presence at Florean Museum.

Interviews on Romanian Cultural Television.

Festivals in Romania and abroad.

Presence as author or guest in books like:

Merry Deadman (Nemira Publishing House),

Ion Barbu Petrila Unter Alles (Brumar Publishing House), Romanian Poetry Driven into a Corner An Anthology (Polirom Publishing House) a. s. o.

PRIZE

2011

Gellu Naum Prize for Poetic Expression

video art- Il matrimonio di lamorissa

2015

SEE/ME

The Dreamers Colection

https://issuu.com/exposureaward/docs/the_dreamers_collection

2019

Mail art – letter poem project / Paris- France

http://mavrea.blogspot.com/2019/03/letter-poems-mircea-bochis-project.html

Mail art project - Landscape Faenza/ Italy

http://mavrea.blogspot.com/2019/03/landscape-mail-art-faenza-italy.html

Societatea de salvatori ai artei miniere Petrila – project Ion Barbu (Planeta Petrila)

http://mavrea.blogspot.com/2019/03/sosietatea-de-salvatori-ai-artei.html

Po-Mo Mail Art Exhibition – Turkey

Island Mail Art - june- Turkey

MOTHER | story in a frame | Mail Art Project- Netherland

We DADA Wonderful SHOTZO – Mail Art Project –Italy

Against War – Mail Art project – Germany

ArtSavEarth - Italia MI

Ashville USA – Mail Art-oct

Donne Italy –Mail Art- june

Fire sea human- Mail Art-Grecia

Leonardo 500 – Mail Art- Faenza Italy

2016

Video Art

China Moon -video poem

L'Homme approximatif – video poem (Tristan Tzara)

Avant-garde Project mail art

On Forgeries Project

digital colages

http://bochis.ro/forgeries/

VIDEO

ON INNOCENCE

-When I was blonde and pale

-Alice is single again

-Pectonela or some usual tips

http://www.bochis.ro/on_innocence/

http://www.bochis.ro/innocence/

2014

FIFE ICR-PARIS

"Printemps des poetes"

video poem

Les mots de passe pour Elie Nef

by Carmen Mavrea (Romania)

Sebastian Reichmann (Romania/France)

http://www.bochis.ro/icr_mars_2014/film.php?y=3014&id=35

http://www.bochis.ro/icr_mars_2014/

video art

international experimental video art festival-Almeria Spain2014

http://www.lucacurci.com/artexpo/pixels-of-identities-spain.htm

Venice / Italy2014 -Future Identities- festival international

http://www.lucacurci.com/artexpo/future-identities-extended.htm

1http://www.bochis.ro/monte_medio/

http://www.bochis.ro/2014_about_the_image/

4-Client Fideli- Fife Paris 2014-

-Contrast Media - FIFE Paris 2014

About the Image

http://www.bochis.ro/2014_about_the_image/

FIFE 2014

FIFE festival de poesie Franco Anglais

http://www.bochis.ro/fife_2014/

-I know why you wanna hate me . FIFE Paris 2014

-My Name is 58098 - FIFE Paris 2014

-Rohit -FIFE Paris 2014

-The prototype

-On the far side of night

-Le Dieu des Toits

2013

video art

Adieu MoNDeRieN or Love Machine -

TRANS – PARIS EXPRESS

Festival 2013

-MonDeRien

-Le mangeur de libellules

http://www.bochis.ro/fife/

les mots de passe pour Ellie Nef - FIFE festival de poesie Franco Anglais

– http://www.bochis.ro/fife/

ArtNif collage

The Book of Predictions

luni, 28 decembrie 2020

"if you want it to be the right way in life"

"here are some of our suggestions"

"today I forgive you because my wound is healed"

" the foreign ministers extended to eastern Europe the hand of friendship"

"do not forget me!"

"Apporte"

"direct blood relative"

"Melania's diary 1928- 1. four years she was bulimic"

01. "Melania's diary 1928- Melanie and Rosie 1928 "

Melania's diary 1928-the cover

Le troisième livre de lecture pour les jeunes filles

duminică, 26 aprilie 2020

Post Ray Johnson - International mail art project United Kingdome 2020

The street belongs to us - Irternational project mail art - Turkey 2020l

mail art project-Po-Mo II - Postmodern - Turkey 2020

My neighbor with dementia - Schongau/Germany 2020

The whole idea of on-line courses is that everyone can study what they want